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Fillette a la poupee The Start of the 1844 -Dirty- Derby Artist s Garden at Giverny Liverpool Custom House Pierre-Auguste Cot Achille-Etna Michallon life painting still watercolor Conciliarism Composition The Lamentation of Christ, canvas St Antony Reading 21 Portrait of Sir Thomas Kytson Visitation 8 Going to Post,Jumping the Brook,Crossing Cottonwood Christ as the Man of Sorrows Forest Woman before a Mirror -10- The Oyster Gatherers of Cancale -18- The Harvest Wagon Crown Imperial Fritillaries in Copper Va The Surrender of Breda -08- The Immaculate Conception Texas art class The Valuers Supper at Emmaus sf Landscapes cd animal Amedee David Poet-s Flowers Portrait of Charles le Normant du Coudra Lunch Acequia Shipbuilding at Gloucester -44- Painted Cross -05- Rebecca at the Well Hauser Giant Magnolias Boy in a Red Waistcoat Lady Standing at a Virginal -detail- wer
Eliseu Visconti:
1867-1944 Eliseu Visconti Gallery Brazilian painter and decorative artist, of Italian birth. He was taken as an infant from Italy to Rio de Janeiro. In 1884 he began studying in Rio de Janeiro at the Academia Imperial das Belas Artes and the Liceu Imperial de Artes e Of?cios under Victor Meirelles de Lima, Henrique Bernardelli (1837-1946) and Rodolfo Amoedo (1857-1941). He was active in efforts to eliminate the academy's rigid academic discipline. He went to Paris in 1892 and attended the Ecole des Beaux-Arts and the Ecole des Arts D?coratifs, where he was taught by Eug?ne-Samuel Grasset. At the 1900 Exposition Universelle in Paris, Visconti won a silver medal for the paintings Youth (1898) and Dance of the Wood Nymphs (1899; both Rio de Janeiro, Mus. N. B.A.). Following the Pre-Raphaelites, his main influences were Botticelli and other painters of the Italian Renaissance, but he was also affected by Grasset and Art Nouveau. On his return to Brazil, among the works exhibited in 1901 in Rio de Janeiro were a series of ceramic objects with Brazilian floral motifs and designs for postage stamps. His florid style began to give way to Impressionism in the stage curtain, circular ceiling panel and proscenium frieze he executed for the Rio de Janeiro Teatro Municipal (1906-7; in situ). In 1906 he became director of painting at the Escola Nacional de Belas Artes in Rio de Janeiro.








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