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Chamblee Ranchopalosverdes europe Promise of Spring -24- Weaning the Calf -44- The Thresher-s supper Summer Flowers Portrait of Willem van Heythusen Still Life with Bible Femme au chapeau rouge -40- Sailing boat Beard, William Holbrook The Oxbow Mistress and maid What the water gave me life picasso still Mortongrove oil painting gallery Man at the Helm Avoca Moulin de la Galette -nn02- Mother and Child ddf River landscape with boat Paysage fluvia Palanga Lakeminchumina Rosebush in Blossom -nn04- An Allegory of Venus and Cupid The Bird Catcher Large Red Interior -35- iconology image Self Portrait vch Pamela and Mr. B in the Summer House Portrait of Gluck Figure Portrait of the Artist Valpincon Bather -09- Evergreenpark The church Skidawayisland Bonaparte Unfinished
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








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