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Foxrivervalleygardens Portrait of Victor Guye picture of mystical creature Adriaen van der werff Magdalene Venus Verticordia -28- Self Portrait 55 Dutch Town on the Edge of the Sea Le Kearsarge a Boulogne -40- Olive Picking -nn04- Lake Louise Trials of Moses Spinello Aretino Miss Martha Carr Through the Vines The Spring landscape The Orgy f The Studio at Batiguolles After the Bath Portrait of a Young Girl with a Dove Frederic Baxille full length mirror Coronation of the Virgin At the Academic Dacha -nn02- Love's Votaries Galva art therapy Redmon Portrait of a Youth sg Noli me tangere fdg The Road to Louveciennes Semsevo Sanjoaquin Buffalo Trail Burket Don Josef de Jaudenes y Nebot Two Girls at the Piano Walla Walla Venus Presenting Arms to Aeneas -detail- Portrait of Count Roger van der Straeten
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








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