Oil On Canvas, Real Flavor of Old Masters

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1734-1783 English painter. He trained in London with Benjamin Wilson before going to Rome in 1757, where he studied with Anton Raphael Mengs. In Rome he met Charles Compton, 7th Earl of Northampton, who paid him an allowance and in Venice in 1763 introduced him to Edward Augustus, Duke of York. The Duke commissioned a conversation piece of himself and his travelling companions (version, 1764; London, Kew Pal., Royal Col.). The figures are awkwardly posed, but the polished elegance of each shows the influence of Mengs. In 1765 Brompton returned to London with Nathaniel Dance and established a good practice with small-scale works in the manner of Johann Zoffany, such as William Pitt, 1st Earl of Chatham (1772; Chevening, Kent), which exists in several versions. He also produced portraits on a larger scale, including the enormous Henry Dawkins with his Family (1773; Over Norton Hall, Oxon).

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Richard Brompton lady-in-waiting of Catherine II oil painting artist


Richard Brompton lady-in-waiting of Catherine II oil painting artist

lady-in-waiting of Catherine II
Painting ID::  79548
new24/Richard Brompton-356444.jpg
 
1781(1781) Medium Oil cyf

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Richard Brompton Portrait of Thomas Lyttelton oil painting artist


Richard Brompton Portrait of Thomas Lyttelton oil painting artist

Portrait of Thomas Lyttelton
Painting ID::  82833
new24/Richard Brompton-976574.jpg
 
1775(1775) Medium Oil on canvas Dimensions 734 x 629 mm (28.9 x 24.76 in) cyf

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