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Diego Velazquez
 
Diego Velazquez Lady from court, oil


    Lady from court,
   new21/Diego Velazquez-493364.jpg
  Painting ID::  61401

  Lady from court, c. 1635
   
 
 
 
 
   

Diego Velazquez Portrait of Pope Innocent X, oil


    Portrait of Pope Innocent X,
   new21/Diego Velazquez-267573.jpg
  Painting ID::  61402

  Portrait of Pope Innocent X, 1650
   
 
 
 
 
   

Diego Velazquez Las Meninas oil


    Las Meninas
   new21/Diego Velazquez-949925.jpg
  Painting ID::  61403

  Las Meninas (1656, English: The Maids of Honour)
   
 
 
 
 
   

Diego Velazquez Infanta oil


    Infanta
   new21/Diego Velazquez-788375.jpg
  Painting ID::  62307

  1630 Oil on canvas, 60 x 46 cm Museo del Prado, Madrid When the Infanta Do?a Mar?a, daughter of Philip III and Queen Margarita, set out for Vienna in December 1629 to meet the husband who had been chosen for her long before, the king of Hungary, later Emperor Ferdinand III, her journey included a stay of several months in Naples in 1630. Vel?zquez made haste to Naples to portray his sovereign's sister', who was famous for her beauty. He worked with the utmost care to emphasize the enamel-like smoothness of her fine features. Every detail, for instance the typically protuberant Habsburg lower lip, shows a striking similarity to the living model. The delicate carmine of her lips, the beautiful Titian shade of her hair, depicted in relaxed brushstrokes with dark brown shadows and bright yellow highlights, all display the artistic skill now at the command of Vel?zquez in his harmonious combination of state splendour with the individuality of his sitter. The carefully modelled face in this head-and-shoulders portrait was to serve as the basis for several full-length portraits of the Infanta, workshop copies that may have been intended as gifts to royal residences abroad
   
 
 
 
 
   

Diego Velazquez Juan oil


    Juan
   new21/Diego Velazquez-748769.jpg
  Painting ID::  62308

  109 x 107 cm Museo del Prado, Madrid Monta??s was the greatest Spanish sculptor of the 17th century, known as 'el dios de la madera' (the god of wood) on account of his mastery as a carver. He worked for most of his long and productive career in Seville. Vel?zquez painted this portrait in Madrid when the sculptor made a portrait head of King Philip IV
   
 
 
 
 
   

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