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Artists
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Albrecht Durer
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Betrayal of Christ new21/Albrecht Durer-586963.jpg Painting ID:: 63584 |
1508 Engraving, 118 x 75 mm Metropolitan Museum of Art, New York Sheet No. 3 of the Engraved Passion. St Peter, striking Malchus, seems to take the spotlight away from Christ. The head of Malchus is strongly reminiscent of that in a Schongauer's engraving. The episode in the background, showing a fleeing youth, represents the rarely illustrated passage Mark 14:51-52, perhaps transmitted by Passion plays. The object underneath Malchus is a lantern, which he customarily carries in Passion plays. The emphasis is here shifted from the commotion of the arrest to the tragedy of the betrayal. Physical violence is limited to the duel between St Peter and Malchus. Christ, unconscious of the noose which threatens his neck, bends his head and closes his eyes to receive the kiss, as though Judas and he were alone in the universe. Closely related to the corresponding subject in the Green Passion.Artist:D?RER, Albrecht Title: Betrayal of Christ (No. 3) Painted in 1501-1550 , German - - graphics : religious | |
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Iris new21/Albrecht Durer-475384.jpg Painting ID:: 63585 |
1503 Brush, pen, ink, watercolour and body-colour, height: 77cm Kunsthalle, Bremen The flower (Iris trojana, formerly Iris germanica) was konown in the 15th century only in Venice. D?rer was probably inspired by the sketchbook of Jacopo Bellini during his fist stay in Venice.Artist:D?RER, Albrecht Title: Iris Painted in 1501-1550 , German - - graphics : other | |
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The Negress Katherina new21/Albrecht Durer-628827.jpg Painting ID:: 63586 |
1521 Silverpoint drawing on paper, 20 x 14 cm Galleria degli Uffizi, Florence D?rer drew the Negress Katherina, the servant of the Portuguese factor Jo?o Brand?o in Antwerp, when she was aged "20 Jar," according to the handwritten note. The portrait drawing is part of a group of works that were created for reasons of personal interest. The portrayed woman is gazing directly at the observer. The curves of her face are modeled with fine lines and cross-hatchings.Artist:D?RER, Albrecht Title: The Negress Katherina Painted in 1501-1550 , German - - graphics : portrait | |
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Coat-of-Arms with a Skull new21/Albrecht Durer-483677.jpg Painting ID:: 63587 |
1503 Engraving, 220 x 156 mm Art Institute, Chicago This engraving is not mentioned in D?rer's diary of his trip to the Low Countries in 1520/21. The subject seems to be connected with the Bavarian War of 1503. Duke George the Rich had died that year without male issue. Contrary to Imperial law, he left his lands to his daughter. This led to the War of the Bavarian Succession, in which the city of Nuremberg was deeply involved. Her army captured much of the surrounding territory and Nuremberg became the largest of the "free cities" of the Empire. This engraving appears to be an allegory of this war, which ended badly for the ill-advised titled lady. The Emperor deprived her of her lands, while Nuremberg was permitted to retain the conquered territory.Artist:D?RER, Albrecht Title: Coat-of-Arms with a Skull Painted in 1501-1550 , German - - graphics : other | |
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Satyr Family new21/Albrecht Durer-265329.jpg Painting ID:: 63588 |
1505 Engraving, 115 x 70 mm Art Institute, Chicago Formerly erroneously called Pan and Syrinx or Birth of Adonis, this print is based on Lucian's description of a painting by Zeuxis. It was probably conceived as a companion piece to Apollo and Diana. The engraving is developed from the drawing Centauress Nursing her Young. The instrument played by the satyr is a Platterspiel, a reed instrument equipped with a bladder similar to that of a bagpipe. The scene is staged in a forest even denser than that of Adam and Eve.Artist:D?RER, Albrecht Title: Satyr Family Painted in 1501-1550 , German - - graphics : mythological | |
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